Hello again everyone, Hope you’re keeping safe and healthy in these scary times. I’m writing today to share some brand new poetry! One of the ways I’ve been surviving this crisis is by creating new work. This April, the I Am Loud productions team are doing National Poetry Writing Month (#NaPoWriMo), in which people challenge … Continue reading New Poetry! NaPoWrimo & Return to Form
Hello all! Just a quick post today to introduce you to a resource on UK spoken word that I've found really interesting and useful. The lovely London-based poet and filmmaker Tyrone Lewis has been interviewing UK poets about their practices and local scenes and turning these interviews into documentaries which he posts on his YouTube channel … Continue reading Spotlight on Process Productions
Last night I had the pleasure of performing at Vineyard Arts, which is a lovely biweekly arts group taking place in a church space in Partick. That evening—a very rainy one, even for Glasgow—the attendance was fairly low, and the folks who showed up were mostly fellow spoken word artists. I realised that most of the … Continue reading Reflections on Publishing Homing
Ed note: This week we're featuring a guest post from writer Derek White. Derek's post considers something I've been thinking about a lot lately: how do we determine whether a poet is a "proper poet" or "professional poet"? What differentiates those "formal" poets from the "amateurs": money, talent, publications, experience, how they market themselves? Derek's post explores … Continue reading Guest Post: What is a “Proper Poet”?
A couple weeks ago, in the first seminar discussion for the Constructions of Scotland class I’m auditing at Strathclyde, we were introducing ourselves and the professor (Dr. David Goldie) said he’d heard I was a Scottish poet. “Well,” I fumbled, flattered but confused, “I do write poems and I’m in Scotland…” He replied, laughing, “There … Continue reading On Being a Scottish Poet – or am I?
Katie Ailes 